Photo: Ben Christensen
With songs about dysfunctional relationships, child abuse and a decent sprinkling of biblical references, it would be easy to assume Mountain Goats shows would be a sombre affair. Instead Thursday night’s show at The Corner felt like a massive party dedicated to shouting lyrics back at the stage, great banter and swooning during each song. And I loved every minute of it.
Catherine Traicos and the Starry Night kicked things off, but failed to grab the restless crowd’s attention. Her mellow folk songs were nice but given the anticipation for the headliner’s set, they acted as background music. Despite her efforts to entertain the crowd with her between song banter, it was hard not to think that she would be better in a headlining show.
Opening with In Memory of Satan, the first of many from the upcoming Transcendental Youth album, the Mountain Goats completely captivated the sold-out crowd.
Photo: Ben Christensen
The setlist drew from a number of the band’s 17 albums, with a heavy emphasis on fan favourites The Sunset Tree and Tallahassee.
See America Right saw the former acoustic lo-fi band in full-blown rock mode and Birth of Serpents
A brief solo part of the set was extended at Darnielle’s insistence as the crowd sang along to Jenny, The Colour in You Cheeks and You or Your Memory.
It’s clear that The Mountain Goats have the ability to move people. Between the girl on my left gasping at the start of each song, the tall guy up the front who knew every single lyric, and the countless song requests, to the uninitiated it probably looked like a scene out of Jesus Camp
The band also seemed to be enjoying themselves and by the end of the night it was hard to tell if the audience or John Darnielle was having more fun.
The new tracks Transcendental Youth and The Diaz Bothers were both catchy and incredibly well received, with the former being a piano based ballad that caused maximum swooning up the front.
The final part of the set went well into singalong territory. Love Love Love got a great reaction and This Year went off completely.
The band’s no planned encore policy lead to a conference about how to play Never Quite Free and the most entertaining tuning I have ever seen (Nobody would probably object if the band chose to release Guitar Explorations part 2).
The band left us with No Children and as we hurled insults at each other it was clear that there was no place anyone in the room would rather be.
Photos are by Ben Christensen. He’s a camera master and has a gig photography blog: bensgigs.tumblr.com